Música – Libretos de Opera: La flauta mágica ópera en dos actos de wolfgang amadeus mozart libreto de emanuel schikaneder. Compra, venta y subastas de. die sich selbst öffnet und schließt). Wolfgang Amadeus Mozart no. Nel contempo gli uccelli fischiettano). Quant’è mai potente la tua voce magica. Die Zauberflöte wird dich schützen The magic flute will protect you, Im größten Unglück unterstützen. Support you in the greatest misfortune. 1st and 2nd LADIES.
|Published (Last):||2 November 2010|
|PDF File Size:||4.25 Mb|
|ePub File Size:||17.23 Mb|
|Price:||Free* [*Free Regsitration Required]|
It is a classic and very personal interpretation, only to be imitated by other artists at their peril. Sir Charles MacKerras Director: With the bulk of Brando but less vocal heft, Jan-Hendrick Rootering is a Sarastro below Covent Garden standards, while Will Hartmann makes as dull and note-curdling a Tamino as he did first time around.
Perhaps the star of the show — though there were several in this performance — was Sir Charles Mackerras, celebrating his 80th year by conducting these performances.
Tamino is given by Will Hartmann. The chief provider of these is also one of two reasons to catch this revival — Simon Keenlyside, who returns as Papageno. It happened that he was by some distance the most distinguished and distinctive voice on stage, resonant, characterful, librrto ease with everything he did. Each generation, perhaps, throws up one, maybe two, great Papagenos.
Gillian Webster, Clarissa Meek and in particular Yvonne Howard as the Third Lady got the show off to a fabulous start with outstandingly pure singing in these roles. Parties of freemasons looking for hints on brotherhood and world peace will not find them in this production, which is heavy on ritual but light on metaphysics.
This was a revival of the production. Few stagings of glauta years and there have been many begin with quite so scary a serpent, or continue with such a light touch amid all that earnestness. As Flutes go, this one has almost enough magic but far too little charm. DIE Zauberflote is an opera both tlauta and frivolous, both vast and intimate. Upcoming events 23 January Vienna State Opera: With wooly hat and baggy trousers, he offered an exquisitely crafted piece of acting, portraying an unusually sensitive simpleton by means of wonderfully expressive eyes and subtle inflecions in his facial muscles.
That said, Rebecca Evans makes a very fetching Pamina and Anna-Kristina Kaappola a young-looking Queen of the Night who hits all those notes spot-on without quite bringing out the goosebumps. Pero no hay nada realmente amenazante en este Monostatos, ni siquiera cuando se le flaua Pamina en el segundo acto. Libreho connect Contact Details Facebook Twitter. John Hewitt-Jones Second Boy: All mainstream modern browsers have cookies enabled by default, so if you’ve been directed to this page it probably means you’re uisng a weird and wonderful browser of your own choosing, or have disabled cookies yourself.
The fact that it is a Singspiel also makes it slightly unusual, as the music frequently stops to give way to spoken dialogue.
Papageno was played by the ever-wonderful Simon Keenlyside. Simon Keenlyside Queen of the Night: At last this is a Flute to lift the heart.
A review of two Papagenos. A activation email has been sent to you. It really is worth going to see this Flute just to hear Evans. In both cases you should know how to switch cookies back on! Kyle Ketelsen First Priest: Her upper range is extremely secure magiica unstrained, but the subtler side of the music for instance in the recitative to her first aria, O zittre nicht sometimes eluded her.
A Flauta Mágica
Click here for details: He was better in Act II — so was most of the cast — yet he still lacked a certain warmth. The fiendishly difficult role of the Queen of the Night was tackled with admirable confidence and panache by Anna-Kristiina Kaappola. The Finnish soprano Anna Kristiina Clauta, as the Queen of the Night hit her high Fs dead-centre but lacked both volume and the requisite malice.
Sometimes, we also use a cookie to keep track of your trolley contents. Aside from Mackerras, the st ar of the show is Simon Keenlyside, as authentically Mozartian or, more accurately, Schikanederian a Papageno as you will ever see.
2005-02, London ROH, Zauberflöte
Nor does McVicar forget that this is meant to be an entertainment, and, even in a dark, imposing staging given in the original German, there are a few nagica. This great artist is at his peak in this classic comic performance.
It says nothing about the artist, of course, that he withdrew so swiftly from the tumult moxart applause that greeted his curtain call, so as to avoid embarassing the next performer to take one, but it magiva say something about the man.
Transient cookies are kept in RAM and are deleted either when you close all your browser windows, or when you reboot your computer. To think that he is also one of the definitive Don Giovannis of the day … this is one of the great British stars-in-the-rising.
David Stark Third Boy: This doesn’t mean that anyone who uses your computer can access your account information as we separate association what the cookie provides from authentication.
Anthony Holden, The Observer, 20 February http: For example, at loot. It looks and feels wrong.