JAZZ REHARMONIZATION PDF

A good way to begin working on basic reharmonization is to practice harmonizing a tune and coming up with a different chord for every note of. My book Jazz Ear Savvy begins by asking you to play Happy Birthday starting on random notes. It’s the most basic exercise to strengthen your. Reharmonization techniques are useful in many ways in Jazz both in improvising and arranging. In this video I will go over 5 reharmonizations.

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One of the most common techniques in jazz reharmonization is the use of substitute chords, through a technique known as tritone substitution. When you reharmonize a tune, you give the melody new color by changing its underlying harmonics.

A two-five-one in E would be F m7-B7-E, etc…. If we kept moving those guide tones down another half step, the Eb and A of our F7 chord would become D and Ab, the third and seventh of a Bb7. For more information visit: This method is nothing more than adding notes to the chords in the song. D minor 7 is our answer. Reharmonization Techniques Take your musical vocabulary and skill set to a whole new level for writing, arranging, and performing music of any genre reharmonizatio learning reharmonization and providing musical interest and variety to standard repertoire.

Reharmonization Techniques

The chord progression below is a common one. Here are reuarmonization guidelines to basic reharmonization for more movement: With the utilization of chord progressions. In this case, the melodic tone is acting as the root of the chord.

Now we can merrily reharmlnization new chords into our original blues progression, adding color and interest without losing our sense of tonality. Types of reharmonization In order to have this articulation we mentioned and learn well this concept, we will show you here 6 ways of possible reharmonization: In barsinstead of going straight from reharmoniaation C chord to the G7 and back, we can add an intermediary chord preceding G7 that helps to build tension more reharjonization, thus creating a more interesting journey.

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We can see in the example below that there are only three distinct chords, C F and G. Comment Name Email Website Notify me of follow-up comments by email. By using this site, you agree to the Terms of Use and Privacy Policy.

The chord progression below is common in many styles of music. In the same progression, chord qualities are sometimes flexible: The next resource of deharmonization will be analyzed in the second part of this topic chord substitution.

The composition features a series of dominant chords and ii-V-I turnarounds resolving to three tonalities built on the B augmented triad the three-tonic system:. Whether you write film scores, direct a band or choir, or play solo piano or guitar, you will find simple and innovative techniques to update songs and develop exciting new arrangements.

You will perceive, over this study that any reharmonization needs to be done considering the melody. Berklee Contemporary Music Notation. A sole minor seventh or seventh chord can be perceived as a second degree or its dominant quality substitution, in which case a fifth may follow.

Jazz Reharmonization – The Jazz Piano Site

The Everything Music Theory Book: Randy Felts has been a professor of jazz harmony at Berklee College of Music for over twenty-five years. As a result, there are often several melodic tones which might occur over a harmony, and all of these must be considered when reharmonizing.

The F note resolving to E is less important, so reharmomization logical chord to precede G7 is one that has the tension note F while maintaining the consonant note C. The F chord brings us to a slightly different sonic space, but our comfortable home note of C carries over as the fifth of this chord F-A-C. This site uses cookies.

Learning Reharmonization | Simplifying Theory

A bar blues song is a very short journey, but a sonically satisfying one because it uses the principle of tension and release. With the substitution of the used Greek Mode. In a progression going up a fourth, if the first chord is a minor seventh chord, it can also be substituted for a seventh chord; a relative second degree can also be added before it to create a ii-V-I turnaround. In the keyboard, this approach is exercised in the chords.

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To this, it would be necessary reharmonize its structure.

This kind of reharmonization mostly requires reharmonizahion of the original melody because of the frequent modulations [ citation needed ] and therefore, becomes “reharmonization of the changes ” rather than the classic jzz of re-harmonizing the melody.

The planed chords can be further embellished: Our ears hear B as the stronger of the two, as it resolves directly to our home note of C.

A first idea that we could have to this song it would add the seventh in each one of the chords, making tetrads instead of triads.

Basic Reharmonization: How To Harmonize A Melody & 5 Basic Reharmonization Techniques

Rehsrmonization applying these 5 Basic Reharmonization Techniques over standards to get familiar with the way they move and the way they sound. In jazz, the term is typically used to refer to the process of reharmonizing some or all of a reharmonizatin, whereby an existing melody is refitted with a new chord progression.

The A7 in bar 11 is just the five of D7, which is in turn the five of G7, which of course is the five of our home chord C7. See the examples below:.

Retrieved from ” https: Jazz harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. In musicharmonization is the chordal accompaniment to a line or melody: Bars are a long resolution to F, and starting with the F minor we can see a string of guide tones that all stem from our original G7.

Retrieved 19 July The fourth degree in major may be substituted for a seventh chord to create a “bluesy” sound.