Carlos Guastavino (5 April – 28 October ) was one of the foremost Argentine . Carlos Guastavino: Guitar and Chamber Music, María Isabel Siewers, guitar; Stamitz Quartet. London, ASV (). Fantasia Sul America: Clarinet. Read and write album reviews for Guastavino: Guitar & Chamber Music – Maria Isabel Siewers, Stamic Quartet on AllMusic. I was particularly struck by Guastavino’s first guitar sonata and now that Daniel has videos of the first two movements I’d like you to give them a.

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Carlos Guastavino 5 April — 28 October [1] was guastafino of the foremost Argentine composers of the 20th century. His production amounted to over works, most of them songs for piano and voice, many still unpublished.

Carlos Guastavino – Wikipedia

His style was quite conservative, always tonal and lusciously romantic. His compositions were clearly influenced by Argentine folk music. His reputation was based almost entirely on his songs, and Guastavino has sometimes been called “the Schubert of the Pampas”.


Unlike most other composers, at any time or place, Guastavino earned enough from his royalties and performing rights that he really had little need for other income. A talented pianist, he performed his piano works in London in, andinvited by the BBCand as a recipient of a scholarship from the British Council. Aguirre’s delicate and intimate piano writing is an especially evident influence on Guastavino.

Guastavino’s stylistic isolation from the modernist and avant-garde movements going on around him, and the self-consciously nationalist content of his songs made him a model for Argentine popular and folk musicians in the s. Guastavino published more than songs for voice and piano, numerous huastavino solo pieces, choral works, school songs, and chamber music.

A small number of his songs are settings of his own texts. His works for orchestra included Divertissement; fue una vezcommissioned by Colonel W. He also wrote three Sonatas for guitar.

From Wikipedia, the free encyclopedia. Retrieved 27 October Essay in booklet with the recording Carlos Guastavino: Accessed on 11 Feb Archived February 27,at the Wayback Machine. Accessed 11 Feb Retrieved from ” https: Views Read Edit View history. This page was last edited on 4 Novemberat By using this site, you agree to the Terms of Use and Privacy Policy.